Pastel on paper Framed: 37.8 x 47.6 x 3.8 cm (14 7/8 x 18 3/4 x 1 1/2 in.)
Born in 1969, Chantal Joffe lives and works in London. Her work brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. Whether in images a few inches square or ten feet high, fluidity combined with a pragmatic approach to representation seduces and disarms. Almost always depicting women or girls, sometimes in groups but recently in iconic portraits, Joffe’s paintings only waveringly adhere to their source – be it a photograph, magazine page or even a reflection in the mirror – instead reminding us that distortions of scale and form can often make a subject seem more real.
Joffe's works always alert us to how appearances are carefully constructed and codified, whether in a fashion magazine or the family album, and to the choreography of display. There's witty neutrality in a career-spanning line-up that has given equal billing to catwalk models, porn actresses, mothers and children, loved ones and literary heroines. Joffe questions assumptions about what makes a noble subject for art and challenges what our expectations of a feminist art might be. Appropriation of existing imagery has been a cornerstone, particularly in the works for which she first became known. Joffe ennobles the people she paints by rehabilitating the photographic image but, crucially, recognizes that it is paint itself – its spatio-temporal complexities rather than attendant theories or sociopolitical ideas surrounding subject matter – that keeps us engaged.
Gatwick Detainees Welfare Group was set up in 1995 when the UK Immigration Service began to detain people at a small holding centre near Gatwick Airport. They work to improve the welfare and well-being of people held in detention, by offering friendship and support and advocating for fair legal and ethical treatment.